Media Composer is proven and trusted by professional editors in every segment of film, television, and broadcast.
Designed to handle high volumes of disparate file-based media, Media Composer delivers accelerated high-res-to-HD workflows, real-time collaboration, and powerful media management, eliminating time-consuming tasks so you can focus on telling a great story. And now the choice is yours-edit on premises, remotely through the cloud, on demand, through a low-cost subscription, or purchase a license outright-making Media Composer the most versatile and accessible tool for professional creative editorial.
And now the choice is yours-edit on premises, remotely through the cloud, on demand, through a low-cost subscription, or purchase a license outright-making Media Composer the most versatile and accessible tool for professional creative editorial.
Additional Information:
Features:
Intuitive, integrated into the Media Composer media management. Effective tools for pruning.
One-step color correction.
Image Stabilization.
Working with alpha channel in real time.
Processing 16-bit AVX effects. No other application does not have the feature set and such functionality offered by the Media Composer.
+ Key software features:
Ability to mount and work with effects for 10-bit SD and HD video
Universal library of codecs for simultaneous operation with DV, IMX, SD and HD material on a single timeline.
Support work with DVCPRO HD and DVCPRO 50 without conversion (capture / output according to IEEE 1394)
Support work with HDV without rendering
Up to 11 streams of uncompressed SD video (increasing the number of threads is possible with a lower resolution)
Ability to work with the digital negative (DI) in the off-line mode
AVX 2 support
Mode switch quality to ensure maximum productivity
Optimizing on multiprocessor stations
+ Installation options:
Working with videos that have different resolutions on the same timeline
Multicam editing in real time (9 sources SD, 3 sources HD)
Function SteadyGlide, which provides Motion Tracking (motion tracking) and Stabilization (image stabilization)
Compatible with ABVB AVRs and Meridien JFIF
Consolidation and transcoding media in different resolutions
24 video and audio tracks (unlimited video layers through the ability to work with several sequences)
24 tracks MetaSync
Toolkit Film Composer
Application of uncompressed effects, regardless of the resolution of the clip
The effect of audio dissolve in real time
Support for 4: 3 and 16: 9
A breakdown of DV material into scenes
Working with long GOP sequences
Support capture 24P in 24, 25 or 30 project staff
PAL 24P and 25P
Feature Video Archive
Can be installed during the capture (necessary to have Avid Unity MediaManager)
23.976, 24 and film montage to convert a sequence of 24 to 23.976
The ability to capture 24P according to IEEE-1394 projects 24fps
+ Digital visual effects and compositing:
10-bit effects and filters Boris Continuum Complete
Customizable 3D effects in real time: Warp, Picture-in-Picture, Corner Pinning, Shapes, Video Titles
And in real time: Dissolves, Superimposition, Resize, Flips, Flops, Wipes, Conceals, Squeezes, Masks and Picture-in-Picture
Support for Panasonic Varicam off-speed
Moving Mattes realtime
Chroma and lyumakey in real time
Keying alpha channel in real time
Compositing unlimited number of layers
Customizable effects including changes in speed, FluidMotion
The effect is to make the video material FluidFilm 50i and 60i footage species
Support for plugins AVX 1.5 & AVX 2.0, including real-time plug-ins third-party
ExpertRender to render effects
Features Paint, AniMatte, Scratch Removal for time-lapse
Pan & Zoom creates video from still images in high resolution
Deep Defocus, blur, mosaic
Tools to change the aspect ratio
High Queer SpectraMatte with the possibility SpectraGraph
10-bit color correction:
Tools professional level color correction in real time
One Step AutoCorrect
The patented NaturalMatch for easy setup matching color tones
Color effects in real-time, customizable using keyframes
Trehmonitornye window for color
Showing ChromaCurve and ChromaGraph
Displaying the Waveform and Vectorscope
Integrated tools for creating titles and graphics:
Uncompensated graphics and titles in real time
2D and 3D titration, including Marquee
Drum and ticker
Saving heading styles created by
+ Maximum convenience and compatibility:
Support for Avid Studio Toolkit (Avid FX, Avid DVD, and Avid 3D)
Support for the entire line of Avid Unity, including the working environment compatible with Avid Unity MediaManager and Avid Unity TransferManager
Can be installed during the capture mediamateriala
Full compatibility bins, sequences, gluing, compositions, sound settings, effects, and Avid media systems with Avid Xpress, Media Composer, Film Composer and Symphony
Compatible with Avid DS Nitris from AFE
Support for Sony XDCAM, including MPEG low resolution copies and IMX
Support for Panasonic P2
Import / export of AAF
Working with MXF or OMF
The encoding of HD and SD video in Windows Media
Output LTC timecode
Support for Photoshop layers and After Effects
24-bit audio files compatible with the Digidesign Pro Tools
Remote control playback and capture
+ Project Management and Metadata:
Multi-level searching, selecting and sorting
View Modes: Frame, script, and text
Ability to change the file metadata directly to the bin
Unlimited number of bins
The function of media consolidation
The hierarchy of folders (folders within folders) within Project Window
Individual settings for User, Project and Site
Lock media on possible changes
Support for Avid Unity MediaManager to perform an advanced search, as well as local and remote management of metadata
+ Encoding for Web + Interactive Delivery:
Encoding WMV HD, and Windows Media 9, H.264 MPEG4, MPEG 1 & 2, QuickTime, Flash, and RealMedia
WMV HD for HD content for further recording on DVD-ROM
Export Windows Media (ASF), QuickTime 7.0 and MPEG-2
Output QuickTime Reference Movie
Sonic DVDit
Sorenson Squeeze
SmartSound SonicFire Pro
Boris Continuum Complete
Noise Industries Factory Tools
+ Among the new features:
Codec support QuickTime, including Apple ProRes and H.264
Support RED R3D format without transcoding
Digitizing RGB 4-4-4 (via Dual Link SDI on NitrisDX) and subsequent installation in this format
Support for Matrox MXO2 Mini for monitoring
Work with stereo sound on the timeline as a single master clip
Audio support RTAS plug-ins
Further improvement of the interface
Support for XDCAM proxy
Import AVCHD, AVCCAM and NXCAM
System requirements:
OS: OS X 10.10
Processor: Intel Quad Core i7 or Quad Core Xeon processor
Memory:
4 GB RAM minimum (6+ GB recommended)
8 GB RAM minimum required to support Media Composer | Cloud (formerly Interplay Sphere) 1, background transcoding, and Dynamic Media Folders
16+ GB RAM recommended to support full-frame stereoscopic 3D, simultaneous background transcoding, Dynamic
Media Folders, FrameFlex 4K workflows, Raw format AMA plug-ins, Long GOP media editing, and other high-performance workflows
Graphics card: NVIDIA Quadro family2 (Q600 or higher recommended), Intel HD4000
Internal hard drive: Minimum 250 GB 7200 rpm SATA drive, 128 GB SSD
