Evermotion Archmodels 213
Evermotion Archmodels 213
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GFX PACK by BeatsByAman
GFX PACK by BeatsByAman
Includes the following assets
Fonts
Icons
Overlays
Custom Textures
Includes the following assets
Fonts
Icons
Overlays
Custom Textures
↧
GFX PACK by BeatsByAman
GFX PACK by BeatsByAman
Includes the following assets
Fonts
Icons
Overlays
Custom Textures
Includes the following assets
Fonts
Icons
Overlays
Custom Textures
↧
Toko Graphics 3.0 - 1450 GRAPHICS
Toko Graphics 3.0 - 1450 GRAPHICS
WORK!!
WORK!!
↧
3DDD Pro Models-october 2 2019
Hi-Poly 3d-models | Lamps, plants, decor, furniture, kitchen, other | 3ds Max | Vray | Corona | OBJ | FBX | 112 pcs
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Blender Cloud - Grease Pencil Fundamentals
Grease Pencil Fundamentals - Blender Cloud
------------------------------------------
Blender 2.8 features a brand new 2D drawing and animation toolset. Become proficient with Grease Pencil thanks to this course with Matias Mendiola, story artist and member of the Grease Pencil team.
To follow the training, make sure you are using the latest Blender 2.8 and in this other page: Resources to get started with Grease Pencil you will find everything you need from links to free blend files, showroom videos and more.
------------------------------------------
If you learned from the tutorial make sure to support the cause!
------------------------------------------
Blender 2.8 features a brand new 2D drawing and animation toolset. Become proficient with Grease Pencil thanks to this course with Matias Mendiola, story artist and member of the Grease Pencil team.
To follow the training, make sure you are using the latest Blender 2.8 and in this other page: Resources to get started with Grease Pencil you will find everything you need from links to free blend files, showroom videos and more.
------------------------------------------
If you learned from the tutorial make sure to support the cause!
↧
3DDD Pro Models-october 2 2019
Hi-Poly 3d-models | Lamps, plants, decor, furniture, kitchen, other | 3ds Max | Vray | Corona | OBJ | FBX | 112 pcs
↧
Aescripts AfterCodecs v1.7.4 Win
1.7.4 (Current version) - September 27 2019
- Windows : new “AfterCodecs Desktop” standalone popup next to the plugins (in MediaCore/Autokroma AfterCodecs/) so you can access Global Settings & License more easily ! Shortcut will be created on your Desktop & Programs Menu
- Premiere Pro / Media Encoder : “Quick Sub Resolutions” new buttons at the bottom of Video Settings so you can quickly set Width and Height to Full 1/1, Half 1/2, Quarter 1/4 or Eighth 1/8
- Now AfterCodecs will warn you with a popup when there’s a new version available
Requirements:
- Microsoft Windows : version 7/8/10
- Adobe CC 2014 to 2019 included
Codecs and containers:
- [MOV] ProRes : 6 official profiles (422 LT / Proxy / Normal / HQ / 4444 / XQ ) and two unofficial profiles (422 Ultra and 4444 Light). ProRes 4444 Light / 4444 / XQ supports the Alpha Channel.
- [MOV] HAP GPU accelerated codecs : 4 codecs (Hap, Hap Alpha, Hap Q and Hap Q Alpha), you can choose disable Snappy compression and change the number of CPU chunks, and for Hap and Hap Alpha you can choose your compression algorithm (each have their own tradeoff between speed and quality)
- [MOV] [MP4] x264 : best H264 / AVC implementation, outperforming both Adobe Media Encoder and QuickTime H264. A special Youtube Upload profile is provided, very easy to use!
- [MOV] [MP4] x265 : files are ~25% lighter than x264 for the same quality, but slower encoding
- [MOV] [MP4] x264 RGB : same as x264 but avoids YUV colorspace, best for storing separate channels in one video like UV maps, alpha, 3D passes etc. (for power users !)
Known Limitations:
- AE on OSX : Rendering multiple output modules in parallel for the same queue item doesn’t work
- Don’t use the ProRes for broadcast. Always test your hardware and software. It’s not an official version of ProRes; for example ProRes 4444’s Alpha channel doesn’t seem to be accepted by Blackmagic Hyperdeck Studio Mini.
- For H264 and H265, dimensions of the video must be even (=> odd resolutions will fail), except if you choose YUV 4:4:4 for H264
- Interlacing : lower field first in H264 recognized as top field first by Adobe
- Windows : new “AfterCodecs Desktop” standalone popup next to the plugins (in MediaCore/Autokroma AfterCodecs/) so you can access Global Settings & License more easily ! Shortcut will be created on your Desktop & Programs Menu
- Premiere Pro / Media Encoder : “Quick Sub Resolutions” new buttons at the bottom of Video Settings so you can quickly set Width and Height to Full 1/1, Half 1/2, Quarter 1/4 or Eighth 1/8
- Now AfterCodecs will warn you with a popup when there’s a new version available
Requirements:
- Microsoft Windows : version 7/8/10
- Adobe CC 2014 to 2019 included
Codecs and containers:
- [MOV] ProRes : 6 official profiles (422 LT / Proxy / Normal / HQ / 4444 / XQ ) and two unofficial profiles (422 Ultra and 4444 Light). ProRes 4444 Light / 4444 / XQ supports the Alpha Channel.
- [MOV] HAP GPU accelerated codecs : 4 codecs (Hap, Hap Alpha, Hap Q and Hap Q Alpha), you can choose disable Snappy compression and change the number of CPU chunks, and for Hap and Hap Alpha you can choose your compression algorithm (each have their own tradeoff between speed and quality)
- [MOV] [MP4] x264 : best H264 / AVC implementation, outperforming both Adobe Media Encoder and QuickTime H264. A special Youtube Upload profile is provided, very easy to use!
- [MOV] [MP4] x265 : files are ~25% lighter than x264 for the same quality, but slower encoding
- [MOV] [MP4] x264 RGB : same as x264 but avoids YUV colorspace, best for storing separate channels in one video like UV maps, alpha, 3D passes etc. (for power users !)
Known Limitations:
- AE on OSX : Rendering multiple output modules in parallel for the same queue item doesn’t work
- Don’t use the ProRes for broadcast. Always test your hardware and software. It’s not an official version of ProRes; for example ProRes 4444’s Alpha channel doesn’t seem to be accepted by Blackmagic Hyperdeck Studio Mini.
- For H264 and H265, dimensions of the video must be even (=> odd resolutions will fail), except if you choose YUV 4:4:4 for H264
- Interlacing : lower field first in H264 recognized as top field first by Adobe
↧
Red Giant Trapcode Suite 15.1.5 Win x64
System Requirements:
Windows 10 (x64)
Adobe AE CC (2017-2020)
Home Page: https://www.redgiant.com
Trapcode Suite is the name of a set of engineering and specialized tools for simulating and modeling particles and 3D effects in the After Effects software environment. You can use the tools in this package to simulate particles such as fire, water, smoke, snow, and so on. The combination of different particles that comes with this plugin will bring you an amazing and realistic result. The plug-in ahead of you will also help you get the results you want faster and better than ever before.
The Trapcode Suite package is actually a collection of 11 different tools for designing 3D objects, as well as applying visual effects to your project. All of the tools in this package have their own features and functionality. All in all, however, all of these tools provide you with the conditions that you can do the best in simulation. Using the tools of this collection, you can simulate the effects of particle, liquid, 3D components, surfaces, sound and motion in the best possible way in After Effects.
New in Trapcode Suite 15.0
- Updated Designer for building effects visually
- Fluid dynamics
- Text emitters
- Mask emitters
- 175 new presets (Over 300, in total)
Trapcode Form New
- Updated Designer for building effects visually
- Fluid Dynamics
- Text forms
- Mask forms
- 150+ new Presets
Trapcode Mir New
- Import OBJ models as Mir Surfaces
- Included library of over 60 3D Models
- 16 Surface presets for fast material setups
PARTICLE EFFECTS:
Trapcode Suite brings the power of 3D particle systems right into After Effects. Use particle emitters to create fire, water, smoke, snow and other organic visual effects, or create technological marvels and user interfaces with immortal particle grids and 3D forms. Combine multiple particle systems into one unified 3D space for visually stunning results. With GPU acceleration, Trapcode plugins help you get beautiful results fast.
PHYSICS & FLUIDS:
For the first time ever, run realistic fluid simulations using the new Dynamic Fluids™ physics engine, or emulate particles moving through the air and bouncing off surfaces.
3D OBJECTS & SURFACES:
Create flowing surfaces, mountainous terrains, endless tunnels, and abstract shapes. Use paths and motion to generate beautifully complex geometric shapes, ribbons and extrusions. Whether you are creating motion graphics or visual effects, the possibilities are endless.
LIGHTS AND GLIMMERS:
Bring light and life into your motion design. Simulate organic, 3D-camera aware volumetric lighting. Use masks and paths to add light streaks that can bring your logos and text to life and add starry glimmers to accent the highlights in your work.
SOUND AND MOTION:
Use audio to generate keyframes that drive animation and effects. Scale, rotate and move to the beat, or use drum hits to create particle effects. Duplicate and offset layers and their motion with ease. Trapcode Suite gives you the power to automate complex animation easily.
TOOLS:
Red Giant Trapcode Suite is a set of 11 tools for 3D motion graphics and visual effects.
Windows 10 (x64)
Adobe AE CC (2017-2020)
Home Page: https://www.redgiant.com
Trapcode Suite is the name of a set of engineering and specialized tools for simulating and modeling particles and 3D effects in the After Effects software environment. You can use the tools in this package to simulate particles such as fire, water, smoke, snow, and so on. The combination of different particles that comes with this plugin will bring you an amazing and realistic result. The plug-in ahead of you will also help you get the results you want faster and better than ever before.
The Trapcode Suite package is actually a collection of 11 different tools for designing 3D objects, as well as applying visual effects to your project. All of the tools in this package have their own features and functionality. All in all, however, all of these tools provide you with the conditions that you can do the best in simulation. Using the tools of this collection, you can simulate the effects of particle, liquid, 3D components, surfaces, sound and motion in the best possible way in After Effects.
New in Trapcode Suite 15.0
- Updated Designer for building effects visually
- Fluid dynamics
- Text emitters
- Mask emitters
- 175 new presets (Over 300, in total)
Trapcode Form New
- Updated Designer for building effects visually
- Fluid Dynamics
- Text forms
- Mask forms
- 150+ new Presets
Trapcode Mir New
- Import OBJ models as Mir Surfaces
- Included library of over 60 3D Models
- 16 Surface presets for fast material setups
PARTICLE EFFECTS:
Trapcode Suite brings the power of 3D particle systems right into After Effects. Use particle emitters to create fire, water, smoke, snow and other organic visual effects, or create technological marvels and user interfaces with immortal particle grids and 3D forms. Combine multiple particle systems into one unified 3D space for visually stunning results. With GPU acceleration, Trapcode plugins help you get beautiful results fast.
PHYSICS & FLUIDS:
For the first time ever, run realistic fluid simulations using the new Dynamic Fluids™ physics engine, or emulate particles moving through the air and bouncing off surfaces.
3D OBJECTS & SURFACES:
Create flowing surfaces, mountainous terrains, endless tunnels, and abstract shapes. Use paths and motion to generate beautifully complex geometric shapes, ribbons and extrusions. Whether you are creating motion graphics or visual effects, the possibilities are endless.
LIGHTS AND GLIMMERS:
Bring light and life into your motion design. Simulate organic, 3D-camera aware volumetric lighting. Use masks and paths to add light streaks that can bring your logos and text to life and add starry glimmers to accent the highlights in your work.
SOUND AND MOTION:
Use audio to generate keyframes that drive animation and effects. Scale, rotate and move to the beat, or use drum hits to create particle effects. Duplicate and offset layers and their motion with ease. Trapcode Suite gives you the power to automate complex animation easily.
TOOLS:
Red Giant Trapcode Suite is a set of 11 tools for 3D motion graphics and visual effects.
↧
↧
Red Giant Trapcode Suite 15.1.5 Mac
Home Page: http://www.redgiant.com
Requirements:
- Mac OS X Kodiak, 10.0 (Cheetah), 10.1 (Puma), 10.2 (Jaguar), 10.3 (Panther), 10.4 (Tiger), 10.5 (Leopard), 10.6 (Snow Leopard), 10.7 (Lion)
- OS X 10.8 (Mountain Lion), 10.9 (Mavericks), 10.10 (Yosemite), 10.11 (El Capitan) and
- macOS 10.12 (Sierra), 10.13 (High Sierra), 10.14 (Mojave), 10.15 (Catalina) and Later Version.
- Supported hardware: Intel or PowerPC Mac.
Red Giant Trapcode Mac Features:
- GPU Acceleration with Speed boosts of up to 4X, or more.
- Build particle effects visually, in the powerful Designer
- Uses After Effects’ 3D camera and lights
- Use 3D models and sequences as emitters
- Immortal Particle Grids and 3D Objects (New!)
- Build particle grids visually, in the new Designer
- Create stunning MoGraph with 3D models and sequences
- 3D geometries animated along a path
- Generate Geometric shapes, ribbons and more
- Create geometries from Masks, Paths, and Motion
- 3D Surfaces, Terrains and Wireframes in After Effects
- Flowing surfaces and abstract shapes for motion graphics
- Shaded surfaces can display as polygons or vertices
- Works with After Effects’ 3D camera and lights
- Volumetric light rays for your text, mograph or footage
- Simulate clean rays or fractal smokiness with depth
- Add Drama and realism to your 3D Comps
- Get pinpoint control over shapes, colors, looping and more
- Create dynamic ‘falling domino’ or ‘follow-the-leader’ Animations
- Fully customizable and easy to use
- Use any audio to drive animation and effects
- Isolate audio bands for total control
- 360 degree Backgrounds for AE 3D
- Use image maps or create a multicolor gradient.
Trapcode Suite is the name of a set of engineering and specialized tools for simulating and modeling particles and 3D effects in the After Effects software environment. You can use the tools in this package to simulate particles such as fire, water, smoke, snow, and so on. The combination of different particles that comes with this plugin will bring you an amazing and realistic result. The plug-in ahead of you will also help you get the results you want faster and better than ever before.
The Trapcode Suite package is actually a collection of 11 different tools for designing 3D objects, as well as applying visual effects to your project. All of the tools in this package have their own features and functionality. All in all, however, all of these tools provide you with the conditions that you can do the best in simulation. Using the tools of this collection, you can simulate the effects of particle, liquid, 3D components, surfaces, sound and motion in the best possible way in After Effects.
PARTICLE EFFECTS:
Trapcode Suite brings the power of 3D particle systems right into After Effects. Use particle emitters to create fire, water, smoke, snow and other organic visual effects, or create technological marvels and user interfaces with immortal particle grids and 3D forms. Combine multiple particle systems into one unified 3D space for visually stunning results. With GPU acceleration, Trapcode plugins help you get beautiful results fast.
PHYSICS & FLUIDS:
For the first time ever, run realistic fluid simulations using the new Dynamic Fluids™ physics engine, or emulate particles moving through the air and bouncing off surfaces.
3D OBJECTS & SURFACES:
Create flowing surfaces, mountainous terrains, endless tunnels, and abstract shapes. Use paths and motion to generate beautifully complex geometric shapes, ribbons and extrusions. Whether you are creating motion graphics or visual effects, the possibilities are endless.
LIGHTS AND GLIMMERS:
Bring light and life into your motion design. Simulate organic, 3D-camera aware volumetric lighting. Use masks and paths to add light streaks that can bring your logos and text to life and add starry glimmers to accent the highlights in your work.
SOUND AND MOTION:
Use audio to generate keyframes that drive animation and effects. Scale, rotate and move to the beat, or use drum hits to create particle effects. Duplicate and offset layers and their motion with ease. Trapcode Suite gives you the power to automate complex animation easily.
TOOLS:
Red Giant Trapcode Suite is a set of 11 tools for 3D motion graphics and visual effects.
Requirements:
- Mac OS X Kodiak, 10.0 (Cheetah), 10.1 (Puma), 10.2 (Jaguar), 10.3 (Panther), 10.4 (Tiger), 10.5 (Leopard), 10.6 (Snow Leopard), 10.7 (Lion)
- OS X 10.8 (Mountain Lion), 10.9 (Mavericks), 10.10 (Yosemite), 10.11 (El Capitan) and
- macOS 10.12 (Sierra), 10.13 (High Sierra), 10.14 (Mojave), 10.15 (Catalina) and Later Version.
- Supported hardware: Intel or PowerPC Mac.
Red Giant Trapcode Mac Features:
- GPU Acceleration with Speed boosts of up to 4X, or more.
- Build particle effects visually, in the powerful Designer
- Uses After Effects’ 3D camera and lights
- Use 3D models and sequences as emitters
- Immortal Particle Grids and 3D Objects (New!)
- Build particle grids visually, in the new Designer
- Create stunning MoGraph with 3D models and sequences
- 3D geometries animated along a path
- Generate Geometric shapes, ribbons and more
- Create geometries from Masks, Paths, and Motion
- 3D Surfaces, Terrains and Wireframes in After Effects
- Flowing surfaces and abstract shapes for motion graphics
- Shaded surfaces can display as polygons or vertices
- Works with After Effects’ 3D camera and lights
- Volumetric light rays for your text, mograph or footage
- Simulate clean rays or fractal smokiness with depth
- Add Drama and realism to your 3D Comps
- Get pinpoint control over shapes, colors, looping and more
- Create dynamic ‘falling domino’ or ‘follow-the-leader’ Animations
- Fully customizable and easy to use
- Use any audio to drive animation and effects
- Isolate audio bands for total control
- 360 degree Backgrounds for AE 3D
- Use image maps or create a multicolor gradient.
Trapcode Suite is the name of a set of engineering and specialized tools for simulating and modeling particles and 3D effects in the After Effects software environment. You can use the tools in this package to simulate particles such as fire, water, smoke, snow, and so on. The combination of different particles that comes with this plugin will bring you an amazing and realistic result. The plug-in ahead of you will also help you get the results you want faster and better than ever before.
The Trapcode Suite package is actually a collection of 11 different tools for designing 3D objects, as well as applying visual effects to your project. All of the tools in this package have their own features and functionality. All in all, however, all of these tools provide you with the conditions that you can do the best in simulation. Using the tools of this collection, you can simulate the effects of particle, liquid, 3D components, surfaces, sound and motion in the best possible way in After Effects.
PARTICLE EFFECTS:
Trapcode Suite brings the power of 3D particle systems right into After Effects. Use particle emitters to create fire, water, smoke, snow and other organic visual effects, or create technological marvels and user interfaces with immortal particle grids and 3D forms. Combine multiple particle systems into one unified 3D space for visually stunning results. With GPU acceleration, Trapcode plugins help you get beautiful results fast.
PHYSICS & FLUIDS:
For the first time ever, run realistic fluid simulations using the new Dynamic Fluids™ physics engine, or emulate particles moving through the air and bouncing off surfaces.
3D OBJECTS & SURFACES:
Create flowing surfaces, mountainous terrains, endless tunnels, and abstract shapes. Use paths and motion to generate beautifully complex geometric shapes, ribbons and extrusions. Whether you are creating motion graphics or visual effects, the possibilities are endless.
LIGHTS AND GLIMMERS:
Bring light and life into your motion design. Simulate organic, 3D-camera aware volumetric lighting. Use masks and paths to add light streaks that can bring your logos and text to life and add starry glimmers to accent the highlights in your work.
SOUND AND MOTION:
Use audio to generate keyframes that drive animation and effects. Scale, rotate and move to the beat, or use drum hits to create particle effects. Duplicate and offset layers and their motion with ease. Trapcode Suite gives you the power to automate complex animation easily.
TOOLS:
Red Giant Trapcode Suite is a set of 11 tools for 3D motion graphics and visual effects.
↧
Blender Cloud - The Animation Fundamentals
Blender Cloud - The Animation Fundamentals
——————————————————————————-
Animation Fundamentals
Have you ever wanted to get started with character animation? Using Blender? Keep reading.
The animation team at Blender Animation Studio is producing a “learn by example” course that will gradually introduce you to the core principles of character animation, starting from a simple bouncing ball, all the way up to full-featured character acting.
Training outline
Here is an overview of the training. Each topic will be presented as a walkthrough of a fully animated shot, where the animator will break down the key steps of the animation process. The source files for each step will be available along the video.
Introduction to the training
Principles of Animation
Workflow and Terminology
Bouncing Basics (Simple Bouncing Ball, Sideways Bouncing Ball)
Drag And Follow Through, Single swing
Creating Personality, Single jump
Walking Biped, Walking vanilla
Basic Body Mechanics, Jump
Advanced Body Mechanics, Weight shift
Character Pantomime, Walking
Character Acting
This is an ever-expanding training, expect more chapters and examples to be added in the future!
—————————————————————————————
If this course has helped you make sure to support the cause!
Any new content will be appended as a new torrent if any more is released.
——————————————————————————-
Animation Fundamentals
Have you ever wanted to get started with character animation? Using Blender? Keep reading.
The animation team at Blender Animation Studio is producing a “learn by example” course that will gradually introduce you to the core principles of character animation, starting from a simple bouncing ball, all the way up to full-featured character acting.
Training outline
Here is an overview of the training. Each topic will be presented as a walkthrough of a fully animated shot, where the animator will break down the key steps of the animation process. The source files for each step will be available along the video.
Introduction to the training
Principles of Animation
Workflow and Terminology
Bouncing Basics (Simple Bouncing Ball, Sideways Bouncing Ball)
Drag And Follow Through, Single swing
Creating Personality, Single jump
Walking Biped, Walking vanilla
Basic Body Mechanics, Jump
Advanced Body Mechanics, Weight shift
Character Pantomime, Walking
Character Acting
This is an ever-expanding training, expect more chapters and examples to be added in the future!
—————————————————————————————
If this course has helped you make sure to support the cause!
Any new content will be appended as a new torrent if any more is released.
↧
Red Giant VFX Suite 1.0.3 Win/Mac
http://www.redgiant.com/products/vfx-suite
VFX Suite offers a powerful toolkit for realistic visual effects composites in After Effects. With Supercomp, light and atmospheric effects interact with all of your layers and the elements of a scene in a far more natural way than can be modeled with a simple stack of 2D layers. VFX Suite also includes tools for adding shadows and reflections that speed up some of the essential parts of creating a professional composite.
VFX Suite gives you fast, automatic chroma keying. Whether you are using a green screen or blue screen, Primatte Keyer can regularly pull a perfect key with a single click. Primatte’s cleanup tools help turn even the most difficult shots into solid and professional composites. Take your chroma keying results even further by using Primatte in combination with Supercomp’s post-keying tools. Also included is Spot Clone Tracker, a powerful tool for quickly removing anything from skin blemishes to unwanted objects in your shot.
Below are some amazing features you can experience after installation of Red Giant VFX Suite for Windows and MacOS, please keep in mind features may vary and totally depends if your system support them.
Vfx Supercomp:
Supercomp is a compositing environment that makes it easy to create complex, seamless composites. In Supercomp, light and atmospheric effects interact with ALL of your layers and the elements of a scene in a far more natural way and with far less pre-composing than ever before. Supercomp includes more than 15 gpu-accelerated context-aware tools for integrating all of your elements into your final shot.
Vfx Primatte Keyer:
Primatte Keyer is a powerful tool for fast, automatic chroma keying. Whether you are using a green screen or blue screen, Primatte Keyer’s auto compute algorithms can often pull a perfect key automatically. The new user interface and clean up tools make it easy to select and separate your background and foreground.
Vfx King Pin Tracker:
King Pin Tracker gives you fast, accurate planar tracking, right inside of After Effects. King Pin Tracker makes it simple to place signs or objects into a shot, even if they aren’t simple rectangular shapes. With powerful To and From pins, and the ability to offset and rotate in planar space, you can pin whatever you want, wherever you want it.
Vfx Spot Clone Tracker:
\Spot Clone Tracker is a tool for lightning-fast, simple object removal with a built-in tracker for moving footage. Easily fix blemishes or remove small, unwanted items. Spot Clone Tracker is easy to use, and even matches your lighting automatically, with options for how it clones light, color and texture.
Vfx Optical Glow:
Optical Glow is a blazing fast, drop-dead gorgeous, photo-realistic glow effect for use in professional visual effects and motion graphics. It’s easily the most beautiful, highest-quality glow you’ve ever had on your timeline. There’s actually a lot of science behind why it looks so much better than the glows you’ve been using for years, but the bottom line is it’s just super awesome.
Vfx Chromatic Displacement:
Chromatic Displacement uses one layer to displace the pixels of another, while smoothly separating out the colors. Unlike the Displacement Map effect in After Effects, Chromatic Displacement uses the displacement image as a height map, which gives you beautiful, organic results. We designed Chromatic Displacement for creating professional visual effects, such as force fields, heat ripples, light refractions, cloaking effects, and much more – but it’s also great for motion graphics.
Vfx Knoll Light Factory:
Designed by John Knoll, Chief Creative Officer at Industrial Light and Magic, Knoll Light Factory creates camera-inspired, photo-realistic lens flares that render fast, thanks to new GPU acceleration. Using the intuitive Lens Editor, create your own flares from scratch, or customize one of the 200 included presets inspired by some of the most iconic films of the past few decades.
Vfx Shadow:
Shadow is a plugin for After Effects that makes it super easy to add a perspective shadow in front of or behind a layer, based on its alpha channel, brightness, and more. With options for softness, bend, length, color and many other properties, the Shadow effect goes far beyond the various shadow tools available inside After Effects.
Vfx Reflection:
Reflection is a plugin for After Effects that makes it easy to add a reflection to your layers. With controls for softness, distance fade, length and more, this effect goes far beyond the standard methods for creating reflections.
VFX Suite offers a powerful toolkit for realistic visual effects composites in After Effects. With Supercomp, light and atmospheric effects interact with all of your layers and the elements of a scene in a far more natural way than can be modeled with a simple stack of 2D layers. VFX Suite also includes tools for adding shadows and reflections that speed up some of the essential parts of creating a professional composite.
VFX Suite gives you fast, automatic chroma keying. Whether you are using a green screen or blue screen, Primatte Keyer can regularly pull a perfect key with a single click. Primatte’s cleanup tools help turn even the most difficult shots into solid and professional composites. Take your chroma keying results even further by using Primatte in combination with Supercomp’s post-keying tools. Also included is Spot Clone Tracker, a powerful tool for quickly removing anything from skin blemishes to unwanted objects in your shot.
Below are some amazing features you can experience after installation of Red Giant VFX Suite for Windows and MacOS, please keep in mind features may vary and totally depends if your system support them.
Vfx Supercomp:
Supercomp is a compositing environment that makes it easy to create complex, seamless composites. In Supercomp, light and atmospheric effects interact with ALL of your layers and the elements of a scene in a far more natural way and with far less pre-composing than ever before. Supercomp includes more than 15 gpu-accelerated context-aware tools for integrating all of your elements into your final shot.
Vfx Primatte Keyer:
Primatte Keyer is a powerful tool for fast, automatic chroma keying. Whether you are using a green screen or blue screen, Primatte Keyer’s auto compute algorithms can often pull a perfect key automatically. The new user interface and clean up tools make it easy to select and separate your background and foreground.
Vfx King Pin Tracker:
King Pin Tracker gives you fast, accurate planar tracking, right inside of After Effects. King Pin Tracker makes it simple to place signs or objects into a shot, even if they aren’t simple rectangular shapes. With powerful To and From pins, and the ability to offset and rotate in planar space, you can pin whatever you want, wherever you want it.
Vfx Spot Clone Tracker:
\Spot Clone Tracker is a tool for lightning-fast, simple object removal with a built-in tracker for moving footage. Easily fix blemishes or remove small, unwanted items. Spot Clone Tracker is easy to use, and even matches your lighting automatically, with options for how it clones light, color and texture.
Vfx Optical Glow:
Optical Glow is a blazing fast, drop-dead gorgeous, photo-realistic glow effect for use in professional visual effects and motion graphics. It’s easily the most beautiful, highest-quality glow you’ve ever had on your timeline. There’s actually a lot of science behind why it looks so much better than the glows you’ve been using for years, but the bottom line is it’s just super awesome.
Vfx Chromatic Displacement:
Chromatic Displacement uses one layer to displace the pixels of another, while smoothly separating out the colors. Unlike the Displacement Map effect in After Effects, Chromatic Displacement uses the displacement image as a height map, which gives you beautiful, organic results. We designed Chromatic Displacement for creating professional visual effects, such as force fields, heat ripples, light refractions, cloaking effects, and much more – but it’s also great for motion graphics.
Vfx Knoll Light Factory:
Designed by John Knoll, Chief Creative Officer at Industrial Light and Magic, Knoll Light Factory creates camera-inspired, photo-realistic lens flares that render fast, thanks to new GPU acceleration. Using the intuitive Lens Editor, create your own flares from scratch, or customize one of the 200 included presets inspired by some of the most iconic films of the past few decades.
Vfx Shadow:
Shadow is a plugin for After Effects that makes it super easy to add a perspective shadow in front of or behind a layer, based on its alpha channel, brightness, and more. With options for softness, bend, length, color and many other properties, the Shadow effect goes far beyond the various shadow tools available inside After Effects.
Vfx Reflection:
Reflection is a plugin for After Effects that makes it easy to add a reflection to your layers. With controls for softness, distance fade, length and more, this effect goes far beyond the standard methods for creating reflections.
↧
Red Giant Effects Suite 11.1.13 Win
Red Giant Effects Suite 11.1.13 Win
http://www.redgiant.com/products/effects-suite
Whether you’re creating an underwater adventure, a futuristic computer interface, or unique text effects, Red Giant Effects Suite is set of indispensable professional-level plug-ins for every After Effects artist. The Effects Suite plug-ins are easy to use and will increase your creative options
What's New in Effects Suite 11:
Knoll Light Factory 3.0
3D Lens Flares for Motion Graphics and VFX.
- Created by Industrial Light & Magic’s John Knoll
- Over 100 fully customizable presets
- After Effects camera-aware - flares can be linked to lights in 3D space
Composite Wizard 1.4.6
Cleanup tools for keyed footage and more.
- The simplest complement for your keying solutions
- Superior Edge control integrates your subject with your scene
- Remove unwanted artifacts, then use light and color tools to finish your composite
ToonIt 2.1
Give video the look of a cartoon, comic book or painting.
- Add interest to ordinary images
- Believable cartoon effects powered by Toonamation
- More than 40 presets make workflow easy and fast
Holomatrix 1.2
Sci-fi holograms. Digital distortion. Bad Reception. Enhancement for UI and HUD Elements.
- Recreate holographic looks for your footage, logos or motion graphic elements
- Enhance the look of digital signs, screens, and heads-up displays
- Mess up your footage to mimic bad reception
Image Lounge 1.4
Camera tools, fractals, and distortion effects.
- Give your image a greater impact
- Filters replicate natural elements like fire, smoke, and water
- Add realistic touches using shadows, displacement, and blur/focus effects
Warp 1.1
Shadows, reflections, glows, and corner pinning.
- Corner-pinning is easy with advanced After Effects integration
- Control perspective, falloff and more for reflections and shadows
- Now including 3 tools for unique glows and glimmers
Psunami 1.4
Photoreal 3D Water Surfaces.
- Generate 3D ray-traced water
- Complete camera control above, at, or under the water’s surface
- Easy animation options to create a wide variety of water environments
Text Anarchy 2.4
Automated animation tools for text and more.
- Move text in grids, lines, spirals or other paths
- Extensive typographic control
- Create backgrounds and patterns with included Geomancy plug-in
PlaneSpace 1.4
Instantly arrange and animate 3D layers in After Effects.
- Create cubes, cylinders, spheroids or complex matrices
- No keyframes necessary
- Unlimited number of layers
http://www.redgiant.com/products/effects-suite
Whether you’re creating an underwater adventure, a futuristic computer interface, or unique text effects, Red Giant Effects Suite is set of indispensable professional-level plug-ins for every After Effects artist. The Effects Suite plug-ins are easy to use and will increase your creative options
What's New in Effects Suite 11:
Knoll Light Factory 3.0
3D Lens Flares for Motion Graphics and VFX.
- Created by Industrial Light & Magic’s John Knoll
- Over 100 fully customizable presets
- After Effects camera-aware - flares can be linked to lights in 3D space
Composite Wizard 1.4.6
Cleanup tools for keyed footage and more.
- The simplest complement for your keying solutions
- Superior Edge control integrates your subject with your scene
- Remove unwanted artifacts, then use light and color tools to finish your composite
ToonIt 2.1
Give video the look of a cartoon, comic book or painting.
- Add interest to ordinary images
- Believable cartoon effects powered by Toonamation
- More than 40 presets make workflow easy and fast
Holomatrix 1.2
Sci-fi holograms. Digital distortion. Bad Reception. Enhancement for UI and HUD Elements.
- Recreate holographic looks for your footage, logos or motion graphic elements
- Enhance the look of digital signs, screens, and heads-up displays
- Mess up your footage to mimic bad reception
Image Lounge 1.4
Camera tools, fractals, and distortion effects.
- Give your image a greater impact
- Filters replicate natural elements like fire, smoke, and water
- Add realistic touches using shadows, displacement, and blur/focus effects
Warp 1.1
Shadows, reflections, glows, and corner pinning.
- Corner-pinning is easy with advanced After Effects integration
- Control perspective, falloff and more for reflections and shadows
- Now including 3 tools for unique glows and glimmers
Psunami 1.4
Photoreal 3D Water Surfaces.
- Generate 3D ray-traced water
- Complete camera control above, at, or under the water’s surface
- Easy animation options to create a wide variety of water environments
Text Anarchy 2.4
Automated animation tools for text and more.
- Move text in grids, lines, spirals or other paths
- Extensive typographic control
- Create backgrounds and patterns with included Geomancy plug-in
PlaneSpace 1.4
Instantly arrange and animate 3D layers in After Effects.
- Create cubes, cylinders, spheroids or complex matrices
- No keyframes necessary
- Unlimited number of layers
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Red Giant Magic Bullet Suite 13.0.12 Win/Mac
Red Giant Magic Bullet Suite 13.0.12 for Windows and MacOS
http://www.redgiant.com/products/magic-bullet-suite/
Magic Bullet Suite 13 is a complete set of plugins that gives you everything you need to make your footage look great, right on your editing timeline. Balance out your shots with powerful color adjustments. Then, go beyond color correction, with accurate simulations of lens filters and film stocks.
• Magic Bullet Suite 13 gives you everything you need to make your footage look great, right on your editing timeline. Balance out your shots with powerful color adjustments that work the way your eye expects them to. Then, go beyond color correction, with accurate simulations of lens filters and film stocks. With Magic Bullet Suite, you’ll have the most powerful and intuitive real-time color correction tools available, without ever needing to switch to a different app.
• Give your footage the look of a Hollywood film. With the tools in Magic Bullet Suite, your footage can instantly have cinematic contrast and the sophisticated color palettes of big-budget movies. With tons of fully customizable presets based on popular movies and TV shows, you will have beautiful results in seconds.
• Quickly balance skin tones, reduce wrinkles and remove skin blemishes, so your talent can look their best. Magic Bullet Suite makes cosmetic cleanup fast and easy and gives you natural results that look untouched.
• Save your footage from video noise caused by shooting in the dark or at high ISOs. Magic Bullet Suite can clean up the noise while still preserving the details in your shot. At the end of your color grading process, Magic Bullet Suite can also reintroduce some subtle texture and natural film grain that gives your final product a look that feels genuine and unprocessed.
• The tools in Magic Bullet Suite are compatible with Adobe Premiere Pro, After Effects and more
• Get realtime color correction with OpenGL/OpenCL support. All tools are GPU Accelerated for maximum speed
Color Correct:
Magic Bullet Suite 13 gives you everything you need to make your footage look great, right on your editing timeline. Balance out your shots with powerful color adjustments that work the way your eye expects them to. Then, go beyond color correction, with accurate simulations of lens filters and film stocks. With Magic Bullet Suite, you’ll have the most powerful and intuitive real time color correction tools available, without ever needing to switch to a different app.
Stylize:
Give your footage the look of a Hollywood film. With the tools in Magic Bullet Suite, your footage can instantly have cinematic contrast and the sophisticated color palettes of big budget movies. With tons of fully customizable presets based on popular movies and TV shows, you will have beautiful results in seconds.
Refine:
Quickly balance skin tones, reduce wrinkles and remove skin blemishes, so your talent can look their best. Magic Bullet Suite makes cosmetic cleanup fast and easy, and gives you natural results that look untouched.
Cleanup:
Save your footage from video noise caused by shooting in the dark or at high ISOs. Magic Bullet Suite can clean up the noise while still preserving the details in your shot. At the end of your color grading process, Magic Bullet Suite can also reintroduce some subtle texture and a natural film grain that gives your final product a look that feels genuine and unprocessed.
Adobe Compatible
The tools in Magic Bullet Suite are compatible with Adobe Premiere Pro, After Effects and more
GPU Acceleration
Get realtime color correction with OpenGL/OpenCL support. All tools are GPU Accelerated for maximum speed
Mac & Windows:
Magic Bullet Suite works on Mac and Windows
http://www.redgiant.com/products/magic-bullet-suite/
Magic Bullet Suite 13 is a complete set of plugins that gives you everything you need to make your footage look great, right on your editing timeline. Balance out your shots with powerful color adjustments. Then, go beyond color correction, with accurate simulations of lens filters and film stocks.
• Magic Bullet Suite 13 gives you everything you need to make your footage look great, right on your editing timeline. Balance out your shots with powerful color adjustments that work the way your eye expects them to. Then, go beyond color correction, with accurate simulations of lens filters and film stocks. With Magic Bullet Suite, you’ll have the most powerful and intuitive real-time color correction tools available, without ever needing to switch to a different app.
• Give your footage the look of a Hollywood film. With the tools in Magic Bullet Suite, your footage can instantly have cinematic contrast and the sophisticated color palettes of big-budget movies. With tons of fully customizable presets based on popular movies and TV shows, you will have beautiful results in seconds.
• Quickly balance skin tones, reduce wrinkles and remove skin blemishes, so your talent can look their best. Magic Bullet Suite makes cosmetic cleanup fast and easy and gives you natural results that look untouched.
• Save your footage from video noise caused by shooting in the dark or at high ISOs. Magic Bullet Suite can clean up the noise while still preserving the details in your shot. At the end of your color grading process, Magic Bullet Suite can also reintroduce some subtle texture and natural film grain that gives your final product a look that feels genuine and unprocessed.
• The tools in Magic Bullet Suite are compatible with Adobe Premiere Pro, After Effects and more
• Get realtime color correction with OpenGL/OpenCL support. All tools are GPU Accelerated for maximum speed
Color Correct:
Magic Bullet Suite 13 gives you everything you need to make your footage look great, right on your editing timeline. Balance out your shots with powerful color adjustments that work the way your eye expects them to. Then, go beyond color correction, with accurate simulations of lens filters and film stocks. With Magic Bullet Suite, you’ll have the most powerful and intuitive real time color correction tools available, without ever needing to switch to a different app.
Stylize:
Give your footage the look of a Hollywood film. With the tools in Magic Bullet Suite, your footage can instantly have cinematic contrast and the sophisticated color palettes of big budget movies. With tons of fully customizable presets based on popular movies and TV shows, you will have beautiful results in seconds.
Refine:
Quickly balance skin tones, reduce wrinkles and remove skin blemishes, so your talent can look their best. Magic Bullet Suite makes cosmetic cleanup fast and easy, and gives you natural results that look untouched.
Cleanup:
Save your footage from video noise caused by shooting in the dark or at high ISOs. Magic Bullet Suite can clean up the noise while still preserving the details in your shot. At the end of your color grading process, Magic Bullet Suite can also reintroduce some subtle texture and a natural film grain that gives your final product a look that feels genuine and unprocessed.
Adobe Compatible
The tools in Magic Bullet Suite are compatible with Adobe Premiere Pro, After Effects and more
GPU Acceleration
Get realtime color correction with OpenGL/OpenCL support. All tools are GPU Accelerated for maximum speed
Mac & Windows:
Magic Bullet Suite works on Mac and Windows
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Aescripts Lockdown 1.1.0 Win
Lockdown is a revolutionary new plug-in that allows you to track warping surfaces inside After Effects. Perfect for beauty retouching and other previously difficult cleanup jobs!
1.1.0 (Current version) - Oct 27, 2019
-Added subpixel accuracy when tracking (to reduce jitter)
-added "Delete backward keyframes" button
-added "Delete forward keyframes" button
-Added hotkey "Ctrl/Cmd-shift-alt/option+click" to create extension points for the mesh
-Increased tracking speed
-Increased some interaction speeds
-Bug fix: Wouldn't render on 8k footage
-Bug fix: Sometimes "interpolate partial tracks" didn't complete fully
-Bug fix: Sometimes triangulation wouldn't work
-Bug fix: Some points couldn't be connected
After Effects CC 2019
http://aescripts.com/lockdown/
1.1.0 (Current version) - Oct 27, 2019
-Added subpixel accuracy when tracking (to reduce jitter)
-added "Delete backward keyframes" button
-added "Delete forward keyframes" button
-Added hotkey "Ctrl/Cmd-shift-alt/option+click" to create extension points for the mesh
-Increased tracking speed
-Increased some interaction speeds
-Bug fix: Wouldn't render on 8k footage
-Bug fix: Sometimes "interpolate partial tracks" didn't complete fully
-Bug fix: Sometimes triangulation wouldn't work
-Bug fix: Some points couldn't be connected
After Effects CC 2019
http://aescripts.com/lockdown/
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Red Giant Shooter Suite 13.1.10 Win/Mac
Red Giant Shooter Suite 13.1.10 for Windows and MacOS
http://www.redgiant.com/products/shooter-suite/
Shooter Suite includes Shooter PluralEyes, a stand-alone application that gives you the most accurate A/V sync available for any non-linear editor. PluralEyes syncs audio and multi-camera video with the touch of a single button, in seconds. And while it works with many NLEs, PluralEyes can also sync directly in Adobe Premiere Pro, so you never have to leave the app. Mixing old footage with modern video formats on the same timeline can slow you down and keep your work from looking its best. Shooter Instant 4K can Upconvert video to 4K resolution with better results than the scaling tools in your NLE. Shooter Frames can deinterlace, smooth and de-artifact your older footage and convert it to 24P.
Shooter Suite 13 includes the all new PluralEyes 4, a tool that gives you audio/video sync in seconds, for any non-linear editor. No timecode or audio cues are needed for a perfect sync. Version 4 includes:
- A new, effortless user experience, with more automation than ever before.
- Instant feedback that lets you know how your sync is going, and includes messages and color coding to indicate any issues.
- The ability to sync with PluralEyes directly in Adobe Premiere Pro, without ever leaving.
- Drag and drop an entire folder of media into PluralEyes, and during a sync it will automatically detect which device the media came from. (Smart Start)
- Automatic Drift Correction, which fixes the mismatch of sound and video in long clips.
- Vertical Track Scaling that allows you to see more detail in your audio waveforms
- Track Comparisons that make it easy to verify your sync
- Keyboard Shortcuts for playback and navigation, based on Premiere Pro’s shortcuts
- Color Coding of clips when exported to Premiere Pro, so that you know what clips need attention.
- Integration with Red Giant Offload (also in Red Giant Shooter Suite)
http://www.redgiant.com/products/shooter-suite/
Shooter Suite includes Shooter PluralEyes, a stand-alone application that gives you the most accurate A/V sync available for any non-linear editor. PluralEyes syncs audio and multi-camera video with the touch of a single button, in seconds. And while it works with many NLEs, PluralEyes can also sync directly in Adobe Premiere Pro, so you never have to leave the app. Mixing old footage with modern video formats on the same timeline can slow you down and keep your work from looking its best. Shooter Instant 4K can Upconvert video to 4K resolution with better results than the scaling tools in your NLE. Shooter Frames can deinterlace, smooth and de-artifact your older footage and convert it to 24P.
Shooter Suite 13 includes the all new PluralEyes 4, a tool that gives you audio/video sync in seconds, for any non-linear editor. No timecode or audio cues are needed for a perfect sync. Version 4 includes:
- A new, effortless user experience, with more automation than ever before.
- Instant feedback that lets you know how your sync is going, and includes messages and color coding to indicate any issues.
- The ability to sync with PluralEyes directly in Adobe Premiere Pro, without ever leaving.
- Drag and drop an entire folder of media into PluralEyes, and during a sync it will automatically detect which device the media came from. (Smart Start)
- Automatic Drift Correction, which fixes the mismatch of sound and video in long clips.
- Vertical Track Scaling that allows you to see more detail in your audio waveforms
- Track Comparisons that make it easy to verify your sync
- Keyboard Shortcuts for playback and navigation, based on Premiere Pro’s shortcuts
- Color Coding of clips when exported to Premiere Pro, so that you know what clips need attention.
- Integration with Red Giant Offload (also in Red Giant Shooter Suite)
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Re:Vision Plugins Bundle • WIN • Monter Group
Plugins list
DEFlicker 1.7.1
DE:Noise 3.3
FieldsKit 3.6
RE:Fill 2.4
ReelSmart Motion Blur 6.2
RE:Flex 5.4
RE:Match 2.3.1
RE:Grade 1.1
RE:Map 3.2
Video Gogh 3.9
Twixtor 7.2
SmoothKit 3.5.1
RE:Lens 2.1.2
BUNDLE PRICE: $2809.95
Source: https://revisionfx.com/products/for/after-effects/
Cracked by Monter Group: https://gns.io/monter
DEFlicker 1.7.1
DE:Noise 3.3
FieldsKit 3.6
RE:Fill 2.4
ReelSmart Motion Blur 6.2
RE:Flex 5.4
RE:Match 2.3.1
RE:Grade 1.1
RE:Map 3.2
Video Gogh 3.9
Twixtor 7.2
SmoothKit 3.5.1
RE:Lens 2.1.2
BUNDLE PRICE: $2809.95
Source: https://revisionfx.com/products/for/after-effects/
Cracked by Monter Group: https://gns.io/monter
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Re:Vision Plugins Bundle • MAC • Monter Group
Plugins list
DEFlicker 1.7.1
DE:Noise 3.3
FieldsKit 3.6
RE:Fill 2.4
ReelSmart Motion Blur 6.2
RE:Flex 5.4
RE:Match 2.3.1
RE:Grade 1.1
RE:Map 3.2
Video Gogh 3.9
Twixtor 7.2
SmoothKit 3.5.1
RE:Lens 2.1.2
BUNDLE PRICE: $2809.95
Source: https://revisionfx.com/products/for/after-effects/
Cracked by Monter Group: https://gns.io/monter
DEFlicker 1.7.1
DE:Noise 3.3
FieldsKit 3.6
RE:Fill 2.4
ReelSmart Motion Blur 6.2
RE:Flex 5.4
RE:Match 2.3.1
RE:Grade 1.1
RE:Map 3.2
Video Gogh 3.9
Twixtor 7.2
SmoothKit 3.5.1
RE:Lens 2.1.2
BUNDLE PRICE: $2809.95
Source: https://revisionfx.com/products/for/after-effects/
Cracked by Monter Group: https://gns.io/monter
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Red Giant PluralEyes 4.1.8 Win
Red Giant PluralEyes 4.1.8 for Windows.
Home: http://www.redgiant.com/products/pluraleyes
PluralEyes works with your favorite video editing tool to instantly sync all of your multi-camera video and audio tracks – eliminating complicated camera set-ups, timecode, and hours of tedious manual syncing. Save time and money, reduce frustration, and free yourself to focus on the creative editing process.
It is both a standalone software and a plug-in for Adobe Premiere Pro.
Host Applications:
Premiere Pro: CS6*, CC 2014, CC 2015, CC 2015.3, CC(2017), CC(2018), CC(2019)
Final Cut Pro X 10.2.3 and higher
Sony Vegas Pro 13
Magix Vegas Pro 14, 15, 16, and 17
Edius 7.5 -8.x*
Operating systems and system requirements:
Windows 7 64-bit
Windows 8 64-bit
Windows 10 64-bit
2 GB of RAM
250 MB of Hard Drive space
Syncing just got even easier. In previous versions of PluralEyes, there were over a dozen different sync combination possibilities (Try Really Hard, Change Clip Order...etc.), which meant you might have to run the sync several times before getting it right. In version 4.0, PluralEyes analyzes your footage and automatically uses the best possible options. Just hit the Sync button, and PluralEyes does the rest.
Get all the power and simplicity of syncing in PluralEyes without ever having to leave Premiere Pro. Just hit the Sync button in Premiere Pro, and PluralEyes does all the work. PluralEyes will even color code your footage based on the results of the sync, so that you know which clips, if any, need your attention.
The latest version of PluralEyes includes a workflow for music videos, where talent has recorded with the same background audio in multiple takes or even in multiple locations. During the sync, PluralEyes can automatically consolidate takes on their own track, muting all audio but the master track.
Export from PluralEyes to Premiere Pro now features a color coding option for clips that don’t sync properly. This is also part of the Premiere Pro panel experience, but also happens if you sync in PluralEyes and export to Premiere Pro.
On long clips, sound and video can stop matching up perfectly. Unlike any other sync tool in the industry, PluralEyes can account for that and export a perfect sync. New in version 4, if drift is detected, PluralEyes automatically fixes it, and gives you the option to toggle between the drift corrected sync and the original audio without correction applied.
We’ve made importing media easier than ever. Drag and drop an entire folder of media into PluralEyes, and during a sync it will automatically detect which device the media came from. Your files will be sorted so that media from the same device are on the same track.
Red Giant Offload performs a checksum during media transfer from your camera card to your hard drive, giving you the peace of mind that your footage was backed up with no loss. New in PluralEyes 4.0 is the ability to detect Offload events and bring the footage over to PluralEyes for a seamless workflow between Offload to PluralEyes to the host-app.
In order to overcome file size limits, some cameras can give a longer recording time by recording on multiple files or even multiple camera cards. PluralEyes can detect this, and consolidate spanned clips into a single clip, making working with the file much easier. New to the latest version of PluralEyes is spanning support for GoPro Cameras.
Home: http://www.redgiant.com/products/pluraleyes
PluralEyes works with your favorite video editing tool to instantly sync all of your multi-camera video and audio tracks – eliminating complicated camera set-ups, timecode, and hours of tedious manual syncing. Save time and money, reduce frustration, and free yourself to focus on the creative editing process.
It is both a standalone software and a plug-in for Adobe Premiere Pro.
Host Applications:
Premiere Pro: CS6*, CC 2014, CC 2015, CC 2015.3, CC(2017), CC(2018), CC(2019)
Final Cut Pro X 10.2.3 and higher
Sony Vegas Pro 13
Magix Vegas Pro 14, 15, 16, and 17
Edius 7.5 -8.x*
Operating systems and system requirements:
Windows 7 64-bit
Windows 8 64-bit
Windows 10 64-bit
2 GB of RAM
250 MB of Hard Drive space
Syncing just got even easier. In previous versions of PluralEyes, there were over a dozen different sync combination possibilities (Try Really Hard, Change Clip Order...etc.), which meant you might have to run the sync several times before getting it right. In version 4.0, PluralEyes analyzes your footage and automatically uses the best possible options. Just hit the Sync button, and PluralEyes does the rest.
Get all the power and simplicity of syncing in PluralEyes without ever having to leave Premiere Pro. Just hit the Sync button in Premiere Pro, and PluralEyes does all the work. PluralEyes will even color code your footage based on the results of the sync, so that you know which clips, if any, need your attention.
The latest version of PluralEyes includes a workflow for music videos, where talent has recorded with the same background audio in multiple takes or even in multiple locations. During the sync, PluralEyes can automatically consolidate takes on their own track, muting all audio but the master track.
Export from PluralEyes to Premiere Pro now features a color coding option for clips that don’t sync properly. This is also part of the Premiere Pro panel experience, but also happens if you sync in PluralEyes and export to Premiere Pro.
On long clips, sound and video can stop matching up perfectly. Unlike any other sync tool in the industry, PluralEyes can account for that and export a perfect sync. New in version 4, if drift is detected, PluralEyes automatically fixes it, and gives you the option to toggle between the drift corrected sync and the original audio without correction applied.
We’ve made importing media easier than ever. Drag and drop an entire folder of media into PluralEyes, and during a sync it will automatically detect which device the media came from. Your files will be sorted so that media from the same device are on the same track.
Red Giant Offload performs a checksum during media transfer from your camera card to your hard drive, giving you the peace of mind that your footage was backed up with no loss. New in PluralEyes 4.0 is the ability to detect Offload events and bring the footage over to PluralEyes for a seamless workflow between Offload to PluralEyes to the host-app.
In order to overcome file size limits, some cameras can give a longer recording time by recording on multiple files or even multiple camera cards. PluralEyes can detect this, and consolidate spanned clips into a single clip, making working with the file much easier. New to the latest version of PluralEyes is spanning support for GoPro Cameras.
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Red Giant PluralEyes 4.1.8 Win
Red Giant PluralEyes 4.1.8 for Windows.
Home: http://www.redgiant.com/products/pluraleyes
PluralEyes works with your favorite video editing tool to instantly sync all of your multi-camera video and audio tracks – eliminating complicated camera set-ups, timecode, and hours of tedious manual syncing. Save time and money, reduce frustration, and free yourself to focus on the creative editing process.
It is both a standalone software and a plug-in for Adobe Premiere Pro.
Host Applications:
Premiere Pro: CS6*, CC 2014, CC 2015, CC 2015.3, CC(2017), CC(2018), CC(2019)
Final Cut Pro X 10.2.3 and higher
Sony Vegas Pro 13
Magix Vegas Pro 14, 15, 16, and 17
Edius 7.5 -8.x*
Operating systems and system requirements:
Windows 7 64-bit
Windows 8 64-bit
Windows 10 64-bit
2 GB of RAM
250 MB of Hard Drive space
Syncing just got even easier. In previous versions of PluralEyes, there were over a dozen different sync combination possibilities (Try Really Hard, Change Clip Order...etc.), which meant you might have to run the sync several times before getting it right. In version 4.0, PluralEyes analyzes your footage and automatically uses the best possible options. Just hit the Sync button, and PluralEyes does the rest.
Get all the power and simplicity of syncing in PluralEyes without ever having to leave Premiere Pro. Just hit the Sync button in Premiere Pro, and PluralEyes does all the work. PluralEyes will even color code your footage based on the results of the sync, so that you know which clips, if any, need your attention.
The latest version of PluralEyes includes a workflow for music videos, where talent has recorded with the same background audio in multiple takes or even in multiple locations. During the sync, PluralEyes can automatically consolidate takes on their own track, muting all audio but the master track.
Export from PluralEyes to Premiere Pro now features a color coding option for clips that don’t sync properly. This is also part of the Premiere Pro panel experience, but also happens if you sync in PluralEyes and export to Premiere Pro.
On long clips, sound and video can stop matching up perfectly. Unlike any other sync tool in the industry, PluralEyes can account for that and export a perfect sync. New in version 4, if drift is detected, PluralEyes automatically fixes it, and gives you the option to toggle between the drift corrected sync and the original audio without correction applied.
We’ve made importing media easier than ever. Drag and drop an entire folder of media into PluralEyes, and during a sync it will automatically detect which device the media came from. Your files will be sorted so that media from the same device are on the same track.
Red Giant Offload performs a checksum during media transfer from your camera card to your hard drive, giving you the peace of mind that your footage was backed up with no loss. New in PluralEyes 4.0 is the ability to detect Offload events and bring the footage over to PluralEyes for a seamless workflow between Offload to PluralEyes to the host-app.
In order to overcome file size limits, some cameras can give a longer recording time by recording on multiple files or even multiple camera cards. PluralEyes can detect this, and consolidate spanned clips into a single clip, making working with the file much easier. New to the latest version of PluralEyes is spanning support for GoPro Cameras.
Home: http://www.redgiant.com/products/pluraleyes
PluralEyes works with your favorite video editing tool to instantly sync all of your multi-camera video and audio tracks – eliminating complicated camera set-ups, timecode, and hours of tedious manual syncing. Save time and money, reduce frustration, and free yourself to focus on the creative editing process.
It is both a standalone software and a plug-in for Adobe Premiere Pro.
Host Applications:
Premiere Pro: CS6*, CC 2014, CC 2015, CC 2015.3, CC(2017), CC(2018), CC(2019)
Final Cut Pro X 10.2.3 and higher
Sony Vegas Pro 13
Magix Vegas Pro 14, 15, 16, and 17
Edius 7.5 -8.x*
Operating systems and system requirements:
Windows 7 64-bit
Windows 8 64-bit
Windows 10 64-bit
2 GB of RAM
250 MB of Hard Drive space
Syncing just got even easier. In previous versions of PluralEyes, there were over a dozen different sync combination possibilities (Try Really Hard, Change Clip Order...etc.), which meant you might have to run the sync several times before getting it right. In version 4.0, PluralEyes analyzes your footage and automatically uses the best possible options. Just hit the Sync button, and PluralEyes does the rest.
Get all the power and simplicity of syncing in PluralEyes without ever having to leave Premiere Pro. Just hit the Sync button in Premiere Pro, and PluralEyes does all the work. PluralEyes will even color code your footage based on the results of the sync, so that you know which clips, if any, need your attention.
The latest version of PluralEyes includes a workflow for music videos, where talent has recorded with the same background audio in multiple takes or even in multiple locations. During the sync, PluralEyes can automatically consolidate takes on their own track, muting all audio but the master track.
Export from PluralEyes to Premiere Pro now features a color coding option for clips that don’t sync properly. This is also part of the Premiere Pro panel experience, but also happens if you sync in PluralEyes and export to Premiere Pro.
On long clips, sound and video can stop matching up perfectly. Unlike any other sync tool in the industry, PluralEyes can account for that and export a perfect sync. New in version 4, if drift is detected, PluralEyes automatically fixes it, and gives you the option to toggle between the drift corrected sync and the original audio without correction applied.
We’ve made importing media easier than ever. Drag and drop an entire folder of media into PluralEyes, and during a sync it will automatically detect which device the media came from. Your files will be sorted so that media from the same device are on the same track.
Red Giant Offload performs a checksum during media transfer from your camera card to your hard drive, giving you the peace of mind that your footage was backed up with no loss. New in PluralEyes 4.0 is the ability to detect Offload events and bring the footage over to PluralEyes for a seamless workflow between Offload to PluralEyes to the host-app.
In order to overcome file size limits, some cameras can give a longer recording time by recording on multiple files or even multiple camera cards. PluralEyes can detect this, and consolidate spanned clips into a single clip, making working with the file much easier. New to the latest version of PluralEyes is spanning support for GoPro Cameras.
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