Gumroad - Vaughan Ling - Blender Intermediate: Crab Bot

April 1, 2018, 3:38 am

≫ Next: PhoenixFD Fire Smoke Beginner Course

≪ Previous: Pluralsight – Blender Fundamentals

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Blender Intermediate: Crab Bot

Build the bot you see above step by step in Blender.

Covers:
+ Modelling
+ Lighting
+ Shading/Materials
+ Rendering
+ Studio Setup
+ Curves
+ Booleans

Includes:
+ Final .blend robot
+ .blend model files for each step of the tutorial
+ Heavypoly Hotkeys Cheatsheet
+ Final Render Images
+ Reference Images

Runtime:
+ 25 short video steps (streaming only)
+ 6 Hours total

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https://gumroad.com/l/crabot

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PhoenixFD Fire Smoke Beginner Course

April 1, 2018, 4:29 am

≫ Next: The Gnomon Workshop - Environment Creation for VR Using Photogrammetry

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Beginner Course of Chaosgroups Fire/Smoke Simulation Plugin PhoenixFD
https://tjcdesigninc.com/course/phoenix-fd-beginner-course/

All Videos are encoded to h265 (x265 CRF) for best Quality/Size Ratio! Use MPC-HC or VLC Media Player!

The Gnomon Workshop - Environment Creation for VR Using Photogrammetry

April 1, 2018, 6:36 am

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DESCRIPTION
In this Workshop, Guilherme Rambelli shows, step-by-step, his workflow to process and set-up an environment captured using Photogrammetry for VR in Unity Engine. First Guilherme shows how to pre-process images using DNG Converter and create a color profile using ColorChecker Passport. Once that is done, the images are taken to Adobe Lightroom for treatment and rendered out for Photogrammetry. Using Reality Capture, the images are processed to generate a high-resolution asset that will work as a source to create the low poly version of the environment used in Unity 3D Engine. After that, a cleanup pass of the data and retopology is handled within ZBrush and Maya, with the textures then baked in Xnormal. Finally, a project in Unity is set up, where the virtual reality viewer will be able to navigate and explore the photogrammetry environment captured and processed throughout this tutorial. The entire execution focuses on a high-quality scene that is developed within a realistic production schedule.

https://www.thegnomonworkshop.com/tutorials/environment-creation-for-vr-using-photogrammetry

The Gnomon Workshop - Environment Creation for VR Using Photogrammetry

April 1, 2018, 6:57 am

≫ Next: The Gnomon Workshop - Environment Creation for VR Using Photogrammetry

≪ Previous: The Gnomon Workshop - Environment Creation for VR Using Photogrammetry

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DESCRIPTION
In this Workshop, Guilherme Rambelli shows, step-by-step, his workflow to process and set-up an environment captured using Photogrammetry for VR in Unity Engine. First Guilherme shows how to pre-process images using DNG Converter and create a color profile using ColorChecker Passport. Once that is done, the images are taken to Adobe Lightroom for treatment and rendered out for Photogrammetry. Using Reality Capture, the images are processed to generate a high-resolution asset that will work as a source to create the low poly version of the environment used in Unity 3D Engine. After that, a cleanup pass of the data and retopology is handled within ZBrush and Maya, with the textures then baked in Xnormal. Finally, a project in Unity is set up, where the virtual reality viewer will be able to navigate and explore the photogrammetry environment captured and processed throughout this tutorial. The entire execution focuses on a high-quality scene that is developed within a realistic production schedule.

https://www.thegnomonworkshop.com/tutorials/environment-creation-for-vr-using-photogrammetry

The Gnomon Workshop - Environment Creation for VR Using Photogrammetry

April 1, 2018, 7:02 am

≫ Next: The Gnomon Workshop - Environment Creation for VR Using Photogrammetry

≪ Previous: The Gnomon Workshop - Environment Creation for VR Using Photogrammetry

$

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DESCRIPTION
In this Workshop, Guilherme Rambelli shows, step-by-step, his workflow to process and set-up an environment captured using Photogrammetry for VR in Unity Engine. First Guilherme shows how to pre-process images using DNG Converter and create a color profile using ColorChecker Passport. Once that is done, the images are taken to Adobe Lightroom for treatment and rendered out for Photogrammetry. Using Reality Capture, the images are processed to generate a high-resolution asset that will work as a source to create the low poly version of the environment used in Unity 3D Engine. After that, a cleanup pass of the data and retopology is handled within ZBrush and Maya, with the textures then baked in Xnormal. Finally, a project in Unity is set up, where the virtual reality viewer will be able to navigate and explore the photogrammetry environment captured and processed throughout this tutorial. The entire execution focuses on a high-quality scene that is developed within a realistic production schedule.

https://www.thegnomonworkshop.com/tutorials/environment-creation-for-vr-using-photogrammetry

The Gnomon Workshop - Environment Creation for VR Using Photogrammetry

April 1, 2018, 7:05 am

≫ Next: TopoFormer 0.5 - Beta (Sneak Peek)

≪ Previous: The Gnomon Workshop - Environment Creation for VR Using Photogrammetry

$

0

0

DESCRIPTION
In this Workshop, Guilherme Rambelli shows, step-by-step, his workflow to process and set-up an environment captured using Photogrammetry for VR in Unity Engine. First Guilherme shows how to pre-process images using DNG Converter and create a color profile using ColorChecker Passport. Once that is done, the images are taken to Adobe Lightroom for treatment and rendered out for Photogrammetry. Using Reality Capture, the images are processed to generate a high-resolution asset that will work as a source to create the low poly version of the environment used in Unity 3D Engine. After that, a cleanup pass of the data and retopology is handled within ZBrush and Maya, with the textures then baked in Xnormal. Finally, a project in Unity is set up, where the virtual reality viewer will be able to navigate and explore the photogrammetry environment captured and processed throughout this tutorial. The entire execution focuses on a high-quality scene that is developed within a realistic production schedule.

https://www.thegnomonworkshop.com/tutorials/environment-creation-for-vr-using-photogrammetry

TopoFormer 0.5 - Beta (Sneak Peek)

April 1, 2018, 10:35 am

≫ Next: ShutterStock Collection - Part 01

≪ Previous: The Gnomon Workshop - Environment Creation for VR Using Photogrammetry

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TopoFormer 0.5 - Beta (Sneak Peek)

ShutterStock Collection - Part 01

April 1, 2018, 4:08 pm

≫ Next: Martin Scorsese Masterclass

≪ Previous: TopoFormer 0.5 - Beta (Sneak Peek)

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ShutterStock High Quality Image Collection

## PART 01

Animals , Architect & Tools , Architecture & Decoration , Art & Painting , Textures , Banner & Billboard , Beauty & Makeup , Building & City

Pretty Self Explanatory
Quite useful for anything : Reference, Texture, Motion Graphic, Etc ...

Questions You Might Ask & Some Info

Where is this from :
. This collection is gathered from around the web and torrents between 2104-2016

Why not compressed
. You can shave of 4% at max compression with 5% recovery, even adds to size and takes ages
. I have them on my SAN storage which has 1 GB ram, it is impossible for me to compress
. I did gradually uploaded to my seedbox via FTP and my seedbox has 1 GB RAM also and my disk IO is at max ( barely alive )
. Most Important : You can use while you seed !

How many parts and is there more
. Currently 7 parts ( 500+ GB ) , the main reason for splitting into parts is too many files
. I have collected another 200+GB since 2017 which is so messed up i will upload as soon as it's organized and clean

Is there any vectors
. I will upload vectors separately ( this packages contains 20 eps which i didn't bother deleting after creating torrent files )

Is there low quality images inside
. I have deleted almost 100 GB of low images , small amount remained ( might be useful to some )
. If some are small that's highest resolution ShutterStock has to offer or available
. In Part 1 to 6 in each category sort with Date Modified, older ones have tendency to be low quality ( but mostly they are higher than google images )
. In Part 7 i left them as i find them cause they had good names or i was tired of moving and renaming
. Don't delete small files ( under 1MB ) sometimes they are objects and file size is small but resolution and quality is high

Does this contain other ShutterStock collections from CGPEERS
. There is a good chance but don't know yet I will check and let you know
. If you already have other ShutterStock collections, check that collection against this with dupeGuru software ( or any duplicate finder )

P.S This packages doesn't contain duplicates
P.S Categories are not definitive but enough to find something

Anyway hope you guys enjoy & Seed while you can
Cheers

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Martin Scorsese Masterclass

April 1, 2018, 11:39 pm

≫ Next: Volumetric Pixel Generator Tools for Cinema 4D

≪ Previous: ShutterStock Collection - Part 01

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MARTIN SCORSESE TEACHES FILMMAKING

https://www.masterclass.com/classes/martin-scorsese-teaches-filmmaking

Volumetric Pixel Generator Tools for Cinema 4D

April 2, 2018, 3:20 am

≫ Next: ShutterStock Collection - Part 02

≪ Previous: Martin Scorsese Masterclass

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A converter that converts easily converts text, images and videos to 3D volume pixels in Cinema 4D.

Works with R12 to R19.

ShutterStock Collection - Part 02

April 2, 2018, 3:21 am

≫ Next: The Gnomon Workshop - Airship Arrival

≪ Previous: Volumetric Pixel Generator Tools for Cinema 4D

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ShutterStock High Quality Image Collection

## PART 02

Business , Cartoon , Chemical , Christmas Gift , Cigarettes , Cleaning , Clock , Clown , Colors , Court , Creative Bulb Idea , Dance , Dummy , Envelope , Eye , Farming , Fashin , Fire , Flag

Pretty Self Explanatory
Quite useful for anything : Reference, Texture, Motion Graphic, Etc ...

Questions You Might Ask & Some Info

Where is this from :
. This collection is gathered from around the web and torrents between 2104-2016

Why not compressed
. You can shave of 4% at max compression with 5% recovery, even adds to size and takes ages
. I have them on my SAN storage which has 1 GB ram, it is impossible for me to compress
. I did gradually uploaded to my seedbox via FTP and my seedbox has 1 GB RAM also and my disk IO is at max ( barely alive )
. Most Important : You can use while you seed !

How many parts and is there more
. Currently 7 parts ( 500+ GB ) , the main reason for splitting into parts is too many files
. I have collected another 200+GB since 2017 which is so messed up i will upload as soon as it's organized and clean

Is there any vectors
. I will upload vectors separately ( this packages contains 20 eps which i didn't bother deleting after creating torrent files )

Is there low quality images inside
. I have deleted almost 100 GB of low images , small amount remained ( might be useful to some )
. If some are small that's highest resolution ShutterStock has to offer or available
. In Part 1 to 6 in each category sort with Date Modified, older ones have tendency to be low quality ( but mostly they are higher than google images )
. In Part 7 i left them as i find them cause they had good names or i was tired of moving and renaming
. Don't delete small files ( under 1MB ) sometimes they are objects and file size is small but resolution and quality is high

Does this contain other ShutterStock collections from CGPEERS
. There is a good chance but don't know yet I will check and let you know
. If you already have other ShutterStock collections, check that collection against this with dupeGuru software ( or any duplicate finder )

P.S This packages doesn't contain duplicates
P.S Categories are not definitive but enough to find something

## Also check other parts comment's , Your question may have been answered there

Anyway hope you guys enjoy & Seed while you can
Cheers

The Gnomon Workshop - Airship Arrival

April 2, 2018, 6:22 am

≫ Next: The Gnomon Workshop - Airship Arrival

≪ Previous: ShutterStock Collection - Part 02

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In this demonstration, legendary designer Syd Mead shares his techniques to create a finished illustration of a futuristic Airship. Image making requires the next step from mastering drawing skill and technique. To produce a sense of ‘being there’ combines drawing and technique skills with a visceral illusion called ‘presence.’ Without these elements coming successfully together, the finished image will look stilted, contrived and unbelievable. Painting with guache, a classic opaque watercolor pigment that dries with a matte finish, Syd discusses the medium, brushes and guides, while sharing his thoughts on the creation of a successful design illustration that is imbued with presence. As the process unfolds, Syd emphasizes how he effectively creates the illusion of reality through the almost abstract representation of various natural and mechanical detail. With clear vision, inspired by imagination and knowledge of the familiar, a plausible future reality comes together at the hands of a master draftsman, designer and artist.

https://www.thegnomonworkshop.com/tutorials/airship-arrival

The Gnomon Workshop - Airship Arrival

April 2, 2018, 6:29 am

≫ Next: The Gnomon Workshop - High Dynamic Range Imaging For VFX

≪ Previous: The Gnomon Workshop - Airship Arrival

$

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In this demonstration, legendary designer Syd Mead shares his techniques to create a finished illustration of a futuristic Airship. Image making requires the next step from mastering drawing skill and technique. To produce a sense of ‘being there’ combines drawing and technique skills with a visceral illusion called ‘presence.’ Without these elements coming successfully together, the finished image will look stilted, contrived and unbelievable. Painting with guache, a classic opaque watercolor pigment that dries with a matte finish, Syd discusses the medium, brushes and guides, while sharing his thoughts on the creation of a successful design illustration that is imbued with presence. As the process unfolds, Syd emphasizes how he effectively creates the illusion of reality through the almost abstract representation of various natural and mechanical detail. With clear vision, inspired by imagination and knowledge of the familiar, a plausible future reality comes together at the hands of a master draftsman, designer and artist.

https://www.thegnomonworkshop.com/tutorials/airship-arrival

The Gnomon Workshop - High Dynamic Range Imaging For VFX

April 2, 2018, 6:41 am

≫ Next: The Retouching Series - Pratik Naik

≪ Previous: The Gnomon Workshop - Airship Arrival

$

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In this lecture, Phil Holland will be discussing the various techniques and camera rigs required to accurately shoot and process High Dynamic Range (HDR) images for live action visual effects, image based lighting, and creative print use. Beginning with the acquisition of the imagery, Phil discusses terminology and camera equipment necessary to accurately capture 360 degree spherical HDR images. Once the imagery is acquired, the next phase is processing. Phil covers a variety of approaches to processing imagery using a variety of off the shelf software packages including PT Gui, HDR Shop, Adobe® software: Photoshop and Adobe® Camera Raw. Along the way, Phil will be sharing many of the techniques and camera rigs he has created for use on movie sets and in post-production houses over the last several years.

Software used : Photoshop - PT Gui - HDR Shop - Adobe Camera Raw

https://www.thegnomonworkshop.com/tutorials/high-dynamic-range-imaging-for-vfx

The Retouching Series - Pratik Naik

April 2, 2018, 7:18 am

≫ Next: CreativeLive - Mastering Blend Modes - Lindsay Adler

≪ Previous: The Gnomon Workshop - High Dynamic Range Imaging For VFX

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The Retouching Series - Pratik Naik

As a portrait photographer, your time is extremely valuable – and that includes the time you spend retouching! The Retouching Series from one of the most renowned retouchers on the market, Pratik Naik, will bring your workflow to a new level. Learn the tools and techniques to help you quickly develop and improve your retouching results faster than ever. From mastering the fundamentals, to conquering advanced issues like contouring and frequency separation, Pratik takes us through step-by-step. Start applying these powerful methods to conquer your retouching efficiently, beautifully, and with time to spare.

https://theportraitmasters.com/product/the-retouching-series/

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CreativeLive - Mastering Blend Modes - Lindsay Adler

April 2, 2018, 7:31 am

≫ Next: Rehla course VRay "Arabic Tutorials " lesson 1

≪ Previous: The Retouching Series - Pratik Naik

$

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Mastering Blend Modes Lindsay Adler

Control How Your Image Looks, Down To The Pixel!

If you haven't heard of blend modes before, your workflow is in for a treat. Blend modes are an incredibly powerful control in Photoshop that allows you to decide how a tool interacts with pixels or how two layers interact. Sounds a bit dry... but it's not at all! The creative and practical applications are endless, and you'll love the creative control you gain with these techniques.

https://www.creativelive.com/class/mastering-blend-modes-lindsay-adler

Rehla course VRay "Arabic Tutorials " lesson 1

April 2, 2018, 10:28 am

≫ Next: CreativeLive - Mastering Blend Modes - Lindsay Adler

≪ Previous: CreativeLive - Mastering Blend Modes - Lindsay Adler

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Please seed the 1 lesson to complete it to 16 lesson
In order to complete the rest of the lesson
if i don't see seeders well for first lesson
i will not upload all course

CreativeLive - Mastering Blend Modes - Lindsay Adler

April 2, 2018, 11:27 am

≫ Next: Videohive - Fusion Typography 2.0

≪ Previous: Rehla course VRay "Arabic Tutorials " lesson 1

$

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Mastering Blend Modes Lindsay Adler

Control How Your Image Looks, Down To The Pixel!
If you haven't heard of blend modes before, your workflow is in for a treat. Blend modes are an incredibly powerful control in Photoshop that allows you to decide how a tool interacts with pixels or how two layers interact. Sounds a bit dry... but it's not at all! The creative and practical applications are endless, and you'll love the creative control you gain with these techniques.

https://www.creativelive.com/class/mastering-blend-modes-lindsay-adler

Videohive - Fusion Typography 2.0

April 2, 2018, 12:20 pm

≫ Next: ArtStation Masterclasses 2018 - Aaron Beck Military Robotics Design

≪ Previous: CreativeLive - Mastering Blend Modes - Lindsay Adler

$

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— 70+ Ready For Use Typography Scenes;
— After Effects CS5.5 and Above;
— Ability to use in Premiere Pro (via the Dynamic Link);
— Resolution Full HD and 4K;
— No Plugins Required;
— Works for all language of After Effects;
— Video tutorials included;
— Fast Render;
— Color Control;
— Perfect for Social Media Ads and Video Covers.

Link: https://videohive.net/item/animated-typography/21390150
Preview: http://www.youtube.com/watch?v=Uu0_OvS_Ps4

ArtStation Masterclasses 2018 - Aaron Beck Military Robotics Design

April 2, 2018, 2:38 pm

≫ Next: ShutterStock Collection - Part 03

≪ Previous: Videohive - Fusion Typography 2.0

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1 of 10 ArtStation Masterclasses.
Military Robotics Design by Aaron Beck
This class will show a working process from rough sketches and discussion on the ideas behind them, through to a final illustration, detailing the techniques of photo manipulation and digital painting used to create the finished product.

Software Required:
Adobe Photoshop